Q: “Is there a character you feel particular ownership of now? Like if somebody comes in and changes Kite Man, are you going to throw the issue across the room and scream, ‘Fuck no, that’s not how this is supposed to be done.’”

It’s kind of like when you sign up for this gig, that’s part of the agreement and coming into comics is realizing that this is a medium that extends to other people and no one has benefited more from that than me, who’s twisted the work of Jack Kirby and Marv Wolfman and Bob Kane and Bill Finger for my own benefits. I feel like denying that to others would be hypocritical.